Waves In The Reflection, Chapter Two: Updated Font

 

Ancient Lasers Waves In The Reflection Two: Updated Font

 

Ancient Lasers is the collected effort of Daniel Finfer and Daniel Anderson. 

We also got to work with one of the internet’s most transcendent artists – Petra Cortright.

Ancient Lasers Cover

Petra Cortright is either very ahead of her time, or very behind. Or both.  Her art pieces usually use some combination of Netscape-era GIF’s, glittery-cheesy-glitched-out-graphics and Myspace=ishASCII fonts.  Her YouTube channel is a hot mess of post-human exhibition- complete with bizarre video plugins, presets, and maybe its imovie after effects.  It’s kinda like one of those webcam girl pop-up-ads, if it was live-streaming from a bizarre, fucked-out future where America Online and the Super Nintendo are still the coolest dudes in the room:

 

As we were wrapping up the Ancient Lasers album, I started looking for images similar to her glitch-mountains, which had always fascinated me – since around 2007 – when most of the songs for this record were penned.  Like a nature photographer hiking through the uncanny valley, pieces like the one below remind me of some dicked-up digital program.. trying to remember what real life was like way back when:

Digital Mountains
Digital Mountains

Somewhere deep inside Google Image Search and FFFFound, I realized that she’s probably not dead yet and that I could just have her create a new one.  I decided to send her a picture of Mount Baker, in Bellingham, WA. Primarily because both myself, and Daniel Anderson spent the majority of our lives in the place; but also because I use to stare at this mountain from our farm growing up:

View from farm in Ferndale, Washington
View from farm in Ferndale, Washington

Underneath the gaze of this mountain, the chain of events that led me to discovering my musical ability at age 17 transpired.  That’s right, folks! I didn’t know what the hell I was going to do with my life until one summer, when I was bored and downloaded Fruity Loops from Limewire. I had always been able to play songs on the radio by ear via keyboard, and had taken orchestra in elementary school (where I played violin and a hilariously giant upright bass), but had never thought about making music.  After a few days, it kind of just clicked – pre-Music, I had wanted to be an author and wrote a lot of Sci-Fi stories – and was usually the best in my art class (no offense, Ferndale, but there wasn’t much competition).

JUST FUCKING THEN, I discovered three bands that would forever shape my future: Nine Inch Nails, The Postal Service, and Idiot Pilot.

I had just transferred to a “hippy high school”:

Actual Screenshot of My High School's Google + Review

 So my brother had given me a copy of The Downward Spiral to take on the trip.  Now, this was destined to be a pretty terrible trip. Something about all my teachers being permanently happy was cool, fine, alright im learning about nanotechnology and resource-based economies; and the combination of listening to lyrics like “God is dead, no one cares; if there is a hell, I’ll see you there” while sitting in a circle of kids burning sage and banging on guitars/djimbe’s was pretty fucking rad.

Anyways, I’m in a shitty tent, alone in a new, weird school, and godam im tired, maybe ill pull out this huge blue sony discman n listen to nin cuz mike said it’s be coool…..

How To Destroy Hippies
How To Destroy Hippies

What thaua fuaaak? Music made by machines? A concept album about a lonely human fighting against it? Battling with the inherent lack of meaning that is OUR reality? Thanks, Trent.

Yet it wasn’t until I happened to look at the album liner notes (back when they were paper) and seeing “Pretty Much Everything By Trent Reznor” all over the place that I realized that with a computer, you don’t need to have a band.

You can just be the band.

Once I got home after somehow not killing myself, I heard about The Postal Service – mainly because one of the dudes was Ben Gibbard, who was a Bellingham local.  It was a snow day at Whatcom Community College, and we were shoe-sledding down an icy hill on Indian St. because that’s what you do in Bellingham in September of 2003.  My friend knew some guy that lived nearby, so we all went to warm up. Keep in mind, this was probably 6 months before Give Up had been released nationally.

Pre-Hipster-Era
Pre-Hipster-Era

The moment I heard The Postal Service in that kid’s house, I realized that not only was electronic music becoming popular with kids that used to talk shit about me listening to Daft Punk’s Discovery in high school (because this weird video game music will never be cool); but that someone from Bellingham, Washington, had made an album that was suddenly gaining mainstream attention.  I was there, folks, and it was weird watching The Postal Service go from local heroes to being the band I turn off in the car because I’ve heard Such Great Heights 749,999 times this week on 107.7 The End.

Which brings it all back circle.

One day two kids from Bellingham named, quite eerily, Michael Harris and Daniel Anderson (My brother’s name is Michael and my middle name is Harris), won the EMP SoundOff! competition and were being played on 107.7. My sister heard Idiot Pilot – To Buy A Gun – Strange We Should Meet Here and came home yabbing about it to me, saying “its like gonna be ur fav band cuz NIN and Postal Service”.

I listened to “Strange We Should Meet Here” a few times through, and then read somewhere on Myspace that the album was made on Fruity Loops.

The Original, Offical Album Cover (If you're from Bellingham)
The Original, Offical Album Cover (If you’re from Bellingham)

*Queue the sound of something clicking at 450 bpm*

See you later, Chihuahua’s Mexican Restaurant (their actual website). 

That very month, I moved to Los Angeles to work on music (in between a few expensive and extremely inconvenient trips to Santa Clara University for some weird networking thing called “college”).

My first music thing whatever fuck you
My first music thing whatever fuck you

Idiot Pilot had just released Tail Of A Jet Black Swan. I saw a post from Daniel Anderson one day asking if anyone wanted a remix done. Coincidentally, I had just finished an album I am still proud of, Post Human Era – To Build A Fire, with my producing mentor Brian Delizza. I had taken a few guitar lessons from Daniel in Bellingham the summer before, and decided to not be a bitch and send him a few songs.  He sent me back a remix of Building The Machine:

Needless to say, I was pretty stoked; and asked him if he wanted to do, like, 13 more, start a new band, and oh yeah here’s Petra’s album cover:

By Petra Cortright
By Petra Cortright