Memes: The New Form Of Evolution

Who are we, where did we come from, and where are we going?

It’s a com­plex, three part ques­tion that we may never be able to fully answer. We do, how­ever, get closer every day. We build things. We revise them, and build them bet­ter. We make art to express our­selves, and wage war to defend our­selves. The world today is grow­ing rad­i­cally dif­fer­ent than the world of the ancients — and even the world of our Amer­i­can pio­neers. If one were to look at the charts and graphs sci­en­tists have devel­oped to demon­strate our ever increas­ing tech­no­log­i­cal prowess, they may find them­selves star­tled and afraid. The charts are climb­ing through the roof, shift­ing towards an expo­nen­tial trend of growth. Some argue that the Dar­win­ian mode of genetic evo­lu­tion is being replaced by a new form of evo­lu­tion dubbed Memetic Evo­lu­tion. Memes are human habits –art, music, lit­er­a­ture, and all other facets of our cul­ture. And our memes, it seems, are copy­ing them­selves at an alarm­ing rate.

The time it takes to com­mu­ni­cate a thought from one human being to another is shrink­ing expo­nen­tially. The activ­i­ties of writ­ing let­ters and send­ing telegrams have been replaced by the newer, faster meth­ods of email and text mes­sag­ing. What took a mat­ter of weeks if not months a hun­dred years ago now takes a mat­ter of min­utes if not sec­onds. If one were to extrap­o­late that trend of growth into the future, surely in the next hun­dred years it seems that we may become able to com­mu­ni­cate instan­ta­neously, even telepathically.

Yet, in this human frenzy of growth and explo­ration, we have to occa­sion­ally stop and smell the roses. How did we get here in the first place? Why were humans blessed with the gift of knowl­edge, and the poor chim­panzee left to poke around in the dirt?

Granted, some have argued that chim­panzees and ele­phants exhibit traits of self aware­ness and con­scious­ness. This was deter­mined by a mir­ror test, in which a mark­ing was made on the animal’s face, and con­se­quently shown its own reflec­tion. If the ani­mal imme­di­ately began groom­ing the mark­ing, sci­en­tists decided that it must be aware of itself. Yet are chim­panzees aware that humans are supe­rior to them as a species? Do they regard us as we may regard aliens or reli­gious fig­ures, as supreme beings? “Oh dang, a human is com­ing, I bet­ter act busy, and make it look like I’m doing some­thing impor­tant.” Regard­less of their inner per­cep­tions, all ani­mals except humans lack the men­tal syn­tax required for a com­plex lin­gual sys­tem. We are able to com­mu­ni­cate knowl­edge, infor­ma­tion, thoughts, feel­ings, and emo­tions to one another through our lan­guages. Yet, how did we get this way? Why are we the cho­sen ones, blessed with the power to pon­der life, time, space and God? Why are we the cursed ones, forced to ques­tion our own exis­tence and pur­pose on this planet, in this universe?

Our ances­tors first began mak­ing music and art some 40,000 years ago. Was this a result of some divine entity impart­ing its wis­dom into our souls? Prob­a­bly not. Most researchers have come to agree that such a change took place over thou­sands if not hun­dreds of thou­sands of years worth of genetic muta­tions. Was it the fact that our brains grew to be much larger than our pre­de­ces­sors? That was also not the case. Nean­derthals had a sim­i­lar sized brain as the Cro Magnon man, yet dis­played very lit­tle cul­ture. The Cro Magnon man per­formed many rit­u­als when one of their loved ones died. They places thou­sands of beads into the grave, and spent a large amount of time prepar­ing the cer­e­mony. Nean­derthals, on the other hand, sim­ply chucked the dead body into a pit. It seems that they had much less regard and under­stand­ing of life in this regard. They did not exhibit any signs of art, music, or any cul­ture for that mat­ter com­pared to the Cro Magnon man.

So then, what was it that set us apart? Why did we ascend to a higher state of exis­tence com­pared to our ani­mal neigh­bors? Per­haps it was not the actual size of our brains, but the wiring that gave us knowl­edge. Hunt­ing was prob­a­bly the pri­mary rea­son we invented tools and com­mu­ni­ca­tion. We designed, built, and redesigned stone tools until they gave us effec­tive results. Then, we used meth­ods of com­mu­ni­ca­tion to impart this knowl­edge to our descen­dants. Then, while hunt­ing, we devel­oped sig­nals and signs to aid in the kill. Thus, we began to devise hunt­ing plans, and tac­tics. We began to work together. This would have even­tu­ally become lan­guage as we know it, when our first vocal­iza­tions could be heard echo­ing through­out the ancient land­scape. A ver­bal lan­guage would have greatly sped up the com­mu­ni­ca­tion process. That would have in turn allowed for more effi­cient hunt­ing and gath­er­ing prac­tices, as more knowl­edge would have been con­veyed in a shorter amount of time. This would have resulted in more free time, which would have allowed hob­bies like bead mak­ing and art to become commonplace.

Thus, the birth of cul­ture. Bead mak­ing could have led to a value sys­tem, where beads were traded for goods and ser­vices. As time went on, our ances­tors may have found gold and sil­ver, and traded those. Money is born. The more money an indi­vid­ual had, the more power was asso­ci­ated with that per­son. Now we start get­ting into wars to gain more power, more con­trol over land and hunt­ing areas. Peo­ple start to make more and more art and music so that they can for­get about the wars, and the pain of lost loved ones. They may have found that while they were mak­ing music or art that time seemed to slow down, and they were able to con­nect with some hid­den force that felt eter­nal, and more real than real­ity itself. For in those fleet­ing moments of cre­ativ­ity, they were becom­ing eter­nal by cre­at­ing some­thing that would live on long after they were gone. These ances­tors of ours could con­nect with one another in ways the phys­i­cal world could not have allowed them to in the past. Unbe­knownst to them, they were build­ing the frame­work of what would some­day become soci­ety itself — a net­work of thought and culture.

Today, this net­work is more present than ever, and grow­ing rapidly. Even though bio­log­i­cally we may be the same as we were some 50,000 years ago, our minds have expanded out into the uni­verse, and deep into our own souls. As a race, we have become aware of our own lim­i­ta­tions — time, space, and our­selves. And as we tire­lessly work to break through these bound­aries, we may not real­ize how sim­i­lar the act of build­ing a space shut­tle is to build­ing a stone axe. They are both tools we use to advance our­selves, and now more than ever, it feels as though we are on the verge of another men­tal big bang. Just as our ances­tors broke through the bar­rier sep­a­rat­ing action from speech, we may be on the verge of break­ing through the bar­rier that sep­a­rated our bod­ies from our souls. For some­day soon, we may truly get the chance to meet our true selves and shake our own hands. Some­day soon, we may decide not to be human, or any­thing, at all.

 

Humanity Plus Magazine Interviews Ancient Lasers

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Ancient Lasers @ BIL 2012

[Ancient Lasers is the musi­cal work of Daniel Fin­fer, a Los Angeles-based multi-instrumentalist and vocal­ist. Artists love to say their music has a mes­sage, but what hap­pens when that mes­sage is “the Sin­gu­lar­ity is Near”? Musi­cian Daniel Fin­fer cre­ates albums that explore the con­cepts and con­se­quences of accel­er­at­ing tech­nol­ogy while still pos­sess­ing enough pop-music chops to make them acces­si­ble. Ancient Lasers has tracks with titles like “You in the Future” and “Replac­ing You.” On first lis­ten they may sound like Finfer’s singing to a girl, but lines like “I don’t need you in the future” are about post-singularity robots dis­miss­ing the need for humans. Pretty trippy stuff, and awe­some to lis­ten to.] — Sin­gu­lar­ity Hub

By Rachel Haywire

Ques­tions

1. If you could get one aug­men­ta­tion what would it be?

While it would be nice to have tita­nium skin or lungs that would allow me to breathe under­wa­ter, the aug­men­ta­tion I would choose is one that should be the top pri­or­ity for sci­en­tists work­ing in this field. Intel­li­gence expan­sion. That’s really step one, isn’t it? If I could increase my intel­li­gence, and my capac­ity to under­stand intel­li­gence itself, invent­ing new aug­men­ta­tions on my wish­list would be much eas­ier. I know that is kind of a cop-out of an answer, so if intelligence-expansion wasn’t on the table, it would prob­a­bly be human flight. I have a ter­ri­ble fear of air­planes, which I’m fairly con­fi­dent stems from the fact that I was in a plane crash as a young child. Kind of ironic I teamed up with a band called Idiot Pilot to pro­duce Ancient Lasers, isn’t it?

Selec­tive hear­ing would come in handy these days, as well.

 

2. How would you feel about becom­ing a cyborg?

It depends on who is turn­ing me into a cyborg. One of my biggest wor­ries related to tech­nol­ogy is its abuse by world gov­ern­ments or cyber-terrorists. I have a hunch becom­ing cyborg would in some way involve the inter­net, and we have a long way to go before some­one will con­vince me to drink any cyber-Kool-Aid. I mean, I don’t want Wik­ileaks or Anony­mous hack­ing into my thoughts. My mind feels like the last place I can still hide in this world; where no one can get to me. Face­book and Twit­ter both started out as seem­ingly inno­cent, fun places to post your thoughts and dig­i­tal records of your daily organic life. But look at what’s hap­pen­ing now: the gov­ern­ment basi­cally turned social media sites into one giant population-monitoring sys­tem, and they love it.

If we are talk­ing phys­i­cally, sign me up. I would love to take a Mech­War­rior or a Gun­dam suit for a spin someday.

bigroom 1024x841 Humanity Plus Magazine Interviews Ancient Lasers

Ancient Lasers Studios

3. Do you think there is going to be a war between humans and machines?

You could argue there already is one. Cer­tainly in the job mar­ket, at least. Machines have achieved a level of com­plex­ity that is actu­ally putting peo­ple out of work, and I’m afraid it’s only going to get “worse”. I use quotes because it all depends on your point of view. Sure, automa­tion cre­ates unem­ploy­ment, but that’s because we are cur­rently oper­at­ing in an obso­lete eco­nomic sys­tem that doesn’t know what to do with the unem­ployed. I think the def­i­n­i­tion of a “job” is going to change dra­mat­i­cally in the near future. We are tran­si­tion­ing towards a post-scarcity world (hope­fully), so maybe some­day our jobs as humans will be to sim­ply imag­ine and cre­ate. The enter­tain­ment indus­try is cur­rently one of the largest grow­ing sec­tors, after all.

Get­ting back to your ques­tion, how­ever, I do think there would be a cat­a­clysmic event involv­ing a post-human Arti­fi­cial Intel­li­gence if it was built care­lessly. As a human, I have empa­thy for my infant self, and look back on those years fondly. But how do I feel about myself when I was an embryo? I don’t have any empa­thy – because I was so dras­ti­cally dif­fer­ent back then I might as well have been some­one else entirely. That is how I believe a post-human Arti­fi­cial Intel­li­gence would regard human­ity – some kind of pest get­ting in the way of its quest to max­i­mize com­plex­ity and reverse its own entropy. If it came down to that – a war between humans and a greater intel­li­gence, I wouldn’t even try to fight it. I would throw my gun at its feet, know­ing that my role as a human was to build a post-human. I could find com­fort dying at the hands of a machine – it would feel like some cos­mic passing-of-the-torch. Obvi­ously, I would pre­fer not to.

Another pos­si­bil­ity is a war between humans at var­i­ous stages of tech­no­log­i­cal pro­gres­sion, much like the war between Homo-Sapiens and the Nean­derthal. His­tory is one long race to some dis­tant, intan­gi­ble fin­ish line – hope­fully who­ever gets there first still has some com­pas­sion for humanity.

4. What is the best way to make peo­ple more aware of Transhumanism?

This is a very tough ques­tion – in fact one I try to answer every day as an artist focused on edu­cat­ing peo­ple about Tran­shu­man­ism. Clearly many artists and vision­ar­ies have tried. John Lennon’s “Imag­ine” is a per­fect exam­ple. But as they say, a fish ahead of its time is doomed to die on dry land. You would think by now we’d have fig­ured it out, but the peo­ple in charge don’t want us to “fig­ure it out”. Lady Gaga, for exam­ple, has a very tran­shu­man mes­sage that I think res­onates with a lot of peo­ple. But most peo­ple don’t real­ize that she actu­ally stud­ied fame, and pretty much had the con­cept for her career planned out. And at the end of the day, there’s still some­one at the record label look­ing at the bot­tom line. There is only so much she can do within that busi­ness model. Most enter­tain­ment is focused on mak­ing us for­get how utterly aston­ish­ing it is to be human; to be alive at this moment in his­tory. This is the bot­tom of the funnel.

Cor­po­ra­tions are excel­lent at mak­ing us feel like we’re impor­tant, when in real­ity they regard us as a dol­lar sign or a num­ber on the com­puter screen. And for a while, it worked. It felt good to go to McDonald’s, or Star­bucks, or Best Buy. It felt good to be ‘part of the club’. Peo­ple have an evo­lu­tion­ary need to belong somewhere…to be part of a com­mu­nity. We have always been that way, it is in who we are. Even before cor­po­ra­tions, you had Nation­al­ism and Reli­gion – two major sys­tems that are also start­ing to fall apart. When I was a kid, it seemed like it made sense, and, hey, it was fun. Fire­works on the Fourth of July? Christ­mas presents? Sign me up! The peo­ple at the top of these insti­tu­tions are experts in marketing.

But to the main­stream, Tran­shu­man­ism is ter­ri­fy­ing. I mean, even to me, it’s ter­ri­fy­ing, and I’ve been research­ing it for seven years now. Clearly the answer isn’t at the bot­tom of a Coke Zero or in the pages of an ancient book. I think one thing that a lot of us involved in this new move­ment have in com­mon is that we aren’t sat­is­fied with the answers we’ve been taught in school. We have to spread this mes­sage, because it is all we can think about. The mes­sage is spread­ing, thank­fully, and hope­fully we can turn oth­ers on to it. Right now feels like the Six­ties on Steroids. And it’s hap­pen­ing because every­one on earth is get­ting the real infor­ma­tion, as they come online.

The bot­tom line is that we need more money fun­neled into sci­ence. Plain and sim­ple. We need to get it out of archaic sys­tems and insti­tu­tions, but we need to show and tell peo­ple why. That’s what I do with my music, or at least try to.

5. What would your ideal future look like?

My ideal future would be some sort of ‘con­sen­sus real­ity’, that is, a real­ity where every­one can find the place where they belong and feel happy. There is a the­ory about what will come after sci­ence called Thalience, a term coined by Karl Schroeder. Assum­ing that in a post-human world every­thing will become intel­li­gent, even­tu­ally the entire uni­verse will expand to become itself. We would all be one. The uni­verse we would become could play games with time and space, relive past mem­o­ries, talk to lost loved ones…Anything. But maybe we would get bored after a while and make some sort of ‘sur­prise but­ton’ – where one day we decide “Okay, we’re bored, so let’s invent a way to keep it enter­tain­ing.” Maybe this entire uni­verse is the result of a post-human get­ting bored and press­ing that but­ton. I don’t know. They’re only theories.

In the end, I think an ideal future is one where we can look back on all of this and feel like it mattered.

6. If you could change one thing about human­ity what would you change?

Every­one has to crabwalk.

Aubrey de Grey of SENS Foundation Preparing for the Reddit AMA

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Aubrey de Grey of SENS Foundation

I got the chance to ask Aubrey de Grey of SENS Foun­da­tion the ques­tions for his Red­dit AMA — we got some excel­lent answers com­ing you way very soon!

Premiere: Glowbug — “Heatwave”

 Premiere: Glowbug   Heatwave

http://www.1077theend.com/Premiere–Glowbug—-Heatwave-/12082781?pid=241364

Daniel Ander­son is no stranger to churn­ing out dense, 8-bit tinged, genre-splitting records, like it’s no big deal. After 2 albums w/ Belling­ham born Idiot Pilot, sev­eral EP’s and last years full length Glow­bug debut, (not to men­tion a full time gui­tar spot in Hyro Da Hero which fea­tures mem­bers of Seat­tles own Blood Broth­ers). The dude is a music mak­ing machine. Today after a trail of teasers, we unveil the first sin­gle from Glowbug’s lat­est LP offer­ing, Suit Of Swords (out on band­camp tonight at mid­night). The track, “Heat­wave” trades pop melodies with lyri­cal intro­spec­tion “I used to run with the idiots/cut my teeth in one resent­ful tribe” glu­ing itself together on 8-bit bounce like your nin­tendo after your friend acci­den­tally kicked the thing over for the 10,000th time. Infec­tiously fun and made for a sum­mer day, the track and album come to us just shy of Seat­tles sun streak, but I’ll tip you off that there’s some trade­mark dan in here made for the rainy ones too. Enjoy Heat­wave below and look for the album to go live here at mid­night.
A word from Dan:

Hello! It’s Glowbug.

I am writ­ing to inform you that our sopho­more LP “Suit of Swords” is out at Mid­night on Tues­day, May 22nd as a dig­i­tal down­load. Even more excit­ing, it is com­pletely free with a sug­gested dona­tion (prefer­ably the cost of an album, around 10$) to the Can­cer Research Fund or the Cure Search for Chil­drens Can­cer. With or with­out a dona­tion, it’s just a few clicks away and I would love for you to check it out.

Glow­bug is the ambient/dance/pop project of Daniel Ander­son (Ex-Idiot Pilot, cur­rent gui­tarist for Hyro Da Hero), hail­ing from the sunny coast of Los Ange­les, Cal­i­for­nia. “Suit of Swords” is a 14 track album writ­ten, pre­formed and recorded entirely by Anderson.

Glow­bug on Face­book:http://www.facebook.com/GlowbugOfficial

Listen To Ancient Lasers Self Titled EP

Ancient Lasers is the project of multi-instrumentalist pro­ducer and lead vocal­ist Daniel Fin­fer. In 2010, Fin­fer sought out Daniel Ander­son (Glow­bug, Idiot Pilot, Hyro Da Hero) to pro­duce a full-length LP.  Songs from the LP are fea­tured on the debut, self-titled EP, includ­ing two remixes.

So Bill Nye just visited my friend in the hospital and gave her this…

Sci­ence Rules. It will help you heal.” — Bill Nye

To help her out, go here: http://www.operationjacque.com/

Bill Nye So Bill Nye just visited my friend in the hospital and gave her this...

On Sun­day, April 29, 2012, Jacque Sal­adino was the vic­tim of a delib­er­ate hit and run. She is cur­rently in a med­ically induced coma and under­go­ing treat­ment for brain trauma and bone frac­tures at Cedars-Sinai Med­ical Cen­ter in Hol­ly­wood, Cal­i­for­nia. Her injuries include a shat­tered pelvis, almost all of her ribs are bro­ken, and a brain that is try­ing very hard to come to terms with the amount of trauma it has sus­tained. She may have an utterly bro­ken body but her spirit remains strong and every day of care and recov­ery brings new hope and challenges.

Hope and chal­lenges are noth­ing new to Jacque. Since first expe­ri­enc­ing the movie E.T., Jacque fell in love with space, hop­ing to one day travel to the stars and know­ing that there would be many chal­lenges to that dream. Jacque, a polit­i­cal sci­ence major and fash­ion styl­ist, woke up one day and real­ized that she had muted her pas­sion for space long enough and she was now ready to change the world for the bet­ter while orches­trat­ing her roundtrip ticket to the cos­mos.  Jacque has spent the bet­ter part of the last few months work­ing with two friends in the space indus­try on find­ing ways to inte­grate space and sci­ence into the gen­eral pub­lic in a way that is fun, inter­est­ing, and com­pelling. Her work has allowed her to become an inte­gral part of the New Space com­mu­nity in LA and has helped form a move­ment to recal­i­brate gen­eral per­cep­tions on how cool and impor­tant space actu­ally is. While Jacque is a fighter, her jour­ney ahead is long, intense, and expensive.

There is uncer­tainty as to what the extent of the med­ical bills will be, and given the nature of her injuries, it’s not yet known if insur­ance max­i­mum cov­er­ages will be met. And fur­ther, beyond what insur­ance cov­ers of Jacque’s med­ical bills and reha­bil­i­ta­tion, she has a life to rebuild once she’s recov­ered. We are look­ing at many months of recov­ery– some­where in a six months to a year time frame.

The good news is you can help fuel Jacque’s road to recov­ery by mak­ing a finan­cial con­tri­bu­tion — any amount of relief is sin­cerely appre­ci­ated. Together we can be Jacque’s Social Engi­neers as we raise funds to solve prob­lems that she doesn’t even know she has com­ing. Please embrace your role in sup­port­ing Jacque’s road to phys­i­cal and finan­cial recov­ery by click­ing the tumblr m3h12epPpt1rog85r So Bill Nye just visited my friend in the hospital and gave her this... but­ton on the right side of this page and giv­ing what you can. The fund is set up to go directly into Jacque’s boyfriend, Chris Peterson’s account (the most read­ily avail­able, acces­si­ble, and ver­i­fied account in the cir­cum­stances), to pro­vide for Jacque’s future.

There has been an amaz­ing out­pour­ing of sup­port from peo­ple in Jacque’s life. We have filled her room, and the wait­ing room, with peo­ple and things that Jacque loves — pic­tures of galax­ies, neb­u­lae, stars, hand-drawn pic­tures of E.T., and pho­tos of Jacque with her friends and fam­ily. Thank you, every­one, for your love and support.

http://www.operationjacque.com/

Waves In The Reflection — Chapter One: The Wheel Of Time

WavesInTheReflection2 Waves In The Reflection   Chapter One: The Wheel Of Time

Lis­ten: Ancient Lasers — The Wheel Of Time 

The Wheel Of Time is a song I wrote in 2009 while I was rent­ing out a stu­dio by LAX, under­neath the flight path of land­ing 747’s. The stu­dio was your stan­dard 12x10 con­crete cell that we out­fit­ted with some tacky green car­pet, a couch, and a makeshift desk for my record­ing gear. It was a great place to escape from every­thing, and sink into my music.

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The Good Ol’ Days

I soon fell into a very pro­duc­tive rou­tine. I usu­ally got to the stu­dio around 8pm to jam with my band or chat with my friend GG for a bit. His brother is Drew God­dard, writer for Lost and Cabin In The Woods — so I usu­ally nagged him about the end­ing of Lost most of the time.  But GG is also an amaz­ing pro­ducer and sound engi­neer with repli­cas of every piece of gear Pink Floyd used…ever. (He even once flew to Italy to buy the actual rotary delay David Gilmour used in Live at Pom­peii). I learned alot from GG about mix­ing — which fre­quen­cies go where, how to make the per­fect kick drum sound, why tak­ing the 500Hz fre­quency out of a gui­tar mag­i­cally makes it sound bet­ter, etc.   I owe him big time for that.

After social time was over, I would get to work — often mov­ing from instru­ment to instru­ment record­ing ideas. I usu­ally started with a pro­grammed beat and a chord pro­gres­sion and built from there.  Once the music was done, I would walk through the vacant streets brain­storm­ing lyrics, and would often record the entire song before sun­rise — to avoid the thun­der­ing sound of land­ing air­craft.  At around 10am I would lay down on the couch and drift off to sleep, lis­ten­ing to an entirely new song I had just created.

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Ancient Lasers — The Wheel Of Time (ft. Fuck You)

I should prob­a­bly take a moment to explain some­thing peo­ple have been ask­ing me about regard­ing the name change from Post Human Era to Ancient Lasers.  In April of 2010, I had just fin­ished an entire album that was to be the sec­ond chap­ter of a tril­ogy by Post Human Era.  The album was called Echo Cor­ri­dor, and I was lit­er­ally days away from releas­ing it. I had sent the sin­gle, Build­ing The Machine, to Daniel Ander­son of Idiot Pilot — one of my favorite bands of all time.  He decided to remix it, and after I heard the pos­si­bil­i­ties of what we could both do as a team, I asked if he wanted to do an entire album.  We used songs from both To Build A Fire and Echo Cor­ri­dor as start­ing points, but ended up with a much more vis­ceral sound. Together, we decided  it was too dif­fer­ent from Post Human Era to label it as such, and thus, Ancient Lasers was born.  Post Human Era, how­ever, is far from dead — I am cur­rently work­ing on some­thing that takes it into very dif­fer­ent terrain.

This song in par­tic­u­lar, The Wheel Of Time, deals with the insan­ity of reli­gion. I grew up with a mother that had started out with a Catholic fam­ily, but then con­verted to Judaism; and a Jew­ish father, so I went to both Church and Syn­a­gogue. I remem­ber dread­ing wednes­day night Hebrew school, where I prac­ticed writ­ing an ancient lan­guage that was both extremely con­fus­ing and down­right hard to learn. Yet, there was some­thing mys­ti­cal about it. When I walked into Beth Israel Syn­a­gogue in Belling­ham every Wednes­day and Sun­day, it felt like I was instantly trans­ported to some sacred, dis­tant past.   My rabbi was both a Star Trek fan and pale­on­tol­o­gist, which was pretty damn awe­some to a 10 year old boy — but hilar­i­ously ridicu­lous if you think about it. Nonethe­less, I enjoyed the early years I spent learn­ing about Israel, hav­ing Seder for Passover, and light­ing the can­dles for Hanukkah.

UsedFullSizeWhite3 300x225 Waves In The Reflection   Chapter One: The Wheel Of Time

TL;DR

My mother’s side of the fam­ily was pretty faith­ful about get­ting together every Easter, Christ­mas (when we got the ‘good’ presents, as opposed to a book or some­thing for Han­nukah), and Thanks­giv­ing (which I con­sider a Chris­t­ian hol­i­day). Those hol­i­days, along with the Church expe­ri­ence, felt more com­mer­cial­ized — more ‘Amer­i­can’. They were alot of fun, and I wouldn’t trade those mem­o­ries for the world.

holy bible 300x219 Waves In The Reflection   Chapter One: The Wheel Of Time

(Spoiler Alert) He dies in the end

Yet up until this point, I hadn’t really ques­tioned either reli­gion. Since I was learn­ing about two sep­a­rate schools of thought, I hadn’t fully sub­mit­ted myself to one par­tic­u­lar ide­ol­ogy. Every­thing was going as planned, until the moment arrived that would ulti­mately open my eyes to the world behind the world.

I was about to turn 13, and it was time for me to start prac­tic­ing for my Bar Mitz­vah. My father opened the study guide, which con­tained the Hebrew I would need to recite for the cer­e­mony. We both sat down on the couch in the liv­ing room, and started to prac­tice. After about twenty min­utes, I remem­ber look­ing up at him and ask­ing why we were doing this. Why are we mem­o­riz­ing words that were writ­ten thou­sands of years ago to recite at a cer­e­mony, just to prove that I was enter­ing adult­hood? And most impor­tantly, what if I decided I sim­ply didn’t want to?

In one life-changing sen­tence, he con­fessed: “We are doing this because my father wanted me to when I was your age.” We both real­ized that we were doing some­thing sim­ply because our ances­tors before us had. With­out ques­tion­ing why; with­out decid­ing for our­selves if it was right — what we truly believed in our hearts. He let me decide for myself, and ulti­mately I decided that I didn’t believe in what we were doing. And I am eter­nally grate­ful for his decision.

The next sun­day, instead of going to Syn­a­gogue, we went fish­ing together and expe­ri­enced real life in nature, unfil­tered by anti­quated dogma and human ide­olo­gies. It was lib­er­at­ing for our entire fam­ily, and though we haven’t really talked about it since, I think they are thank­ful I spoke up — because every­one else was afraid to.

ddyrdy 250x300 Waves In The Reflection   Chapter One: The Wheel Of Time

Pope­Mo­bile

This is why we have Holy Wars, racism, and hate. Peo­ple some­times get scared to raise their hand in class when some­thing doesn’t make sense. “Keep your head down. Do as you are told. Fol­low the leader. Mem­o­rize this. Don’t ask why.”  When some­thing doesn’t make sense, scream at the top of your lungs so every­one can hear you.  We can’t change the world if we keep our­selves planted in the sands of the past.  Refuse to believe what peo­ple tell you — until you know it to be true from your own per­sonal expe­ri­ences.  No one knows any­thing more than you do, and that will never change.

The Wheel Of Time is about the con­tin­ual habit of recur­sion we can’t seem to escape from.  But I came here to throw a wrench in its gears. And every day thou­sands of peo­ple are wak­ing up, as I did, from the peace­ful sleep of herded sheep.

Lyrics

Ancient Lasers — The Wheel Of Time

The wheel of time repeats itself, it turns you into some­one else
You’ll fight a war you’ll never win, you’ll make the same mis­takes again
And now you finally see so many rea­sons behind the great con­fu­sion
You know the voices of the dead are really voices in your head

You won­der if you’ve lost your mind, you hope you get it back this time
They tell you what you want to hear, you wish they’d all just dis­ap­pear
And now you finally see so many rea­sons behind the great con­fu­sion
You know the voices of the dead, are really voices in your head

Maybe we are doomed to repeat this, maybe we still haven’t found the way
But no mat­ter what they say, the pattern’s here to stay
And every time you think you’ve reached the end, you watch it start itself again

Every time it repeats itself, it repeats itself, it repeats itself again

A Bitcoin For Your Thoughts

 

Bitcoin 1024x682 A Bitcoin For Your Thoughts

As the world tran­si­tions towards a com­pletely dig­i­tal, glob­al­ized net­work, one thing that has con­tin­ued to be rather con­sis­tent has been cur­rency.  Many peo­ple don’t stop to ques­tion the cur­rent mon­e­tary sys­tem, or its rel­e­vance to such a rapidly chang­ing land­scape of busi­ness.  Yet, a few peo­ple have been rethink­ing the role of cur­rency as we tran­si­tion towards a truly dig­i­tal age.  We don’t actu­ally trade gold for scarce goods any­more, so why should we still trade dol­lars and coins?  Aren’t those sim­ply arbi­trary place­hold­ers for value?  We are rely­ing on phys­i­cal goods less and less, and their scarcity is also decreasing.

Advance­ments in 3D print­ing tech­nolo­gies will com­pletely redesign the busi­ness mod­els for future soci­eties and economies, forc­ing us to find value in non-physical, often intan­gi­ble prod­ucts.  In Pandora’s Mil­lions, by George O. Smith, a ‘mat­ter dupli­ca­tor’ cre­ates an eco­nomic col­lapse and cre­ates a new form of barter econ­omy for the only scarce prod­uct left: skilled human labor. In this sce­nario, one would need to develop a new, dig­i­tal currency.

Simone Syed is a futur­ist and con­sul­tant for Bitcoin.com, a new startup tech­nol­ogy that could rev­o­lu­tion­ize the way we do busi­ness.  I got to ask her a few ques­tions about Bit­coin and find out why it might be a good idea to pay atten­tion to this new form of currency.

  • What is Bit­coin, and how does it work?

Bit­coin is tech­nol­ogy that makes it pos­si­ble to trans­fer value across a nor­mal Inter­net con­nec­tion. This is much cheaper and more secure than using some­thing like a credit card.

For exam­ple, every time you pay with a credit card, there’s a risk that the other per­son copies your card and starts spend­ing your money. With Bit­coin, you’re never giv­ing out the keys to your entire vault — you only trans­fer exactly the amount you want to pay. This vir­tu­ally elim­i­nates fraud and thus reduces fees. And with the addi­tional rev­enue, mer­chants can lower prices and spend their profit on qual­ity and service.”

  • Why should peo­ple use it?

This is really two ques­tions; the first being: “why should mer­chants use it?” The obvi­ous answer is lower fees, reduced setup cost and ease of use. With Bit­coin pay­ments, the only thing required is a com­puter or mobile phone with an Inter­net con­nec­tion. Addi­tion­ally, the pay­ments can’t be reversed, which is a major source of lost rev­enue for many businesses.

Sec­ond: “why should the cus­tomer use it?” It gives the user the abil­ity to pay quickly with­out putting their account and iden­tity at risk. When you pay with a credit card, check or other clas­si­cal pay­ment method, you are plac­ing your­self at risk for iden­tity theft and fraud­u­lent charges.”

  • Is it safe?

Bit­coins are as safe as their stor­age medium. If you store your Bit­coins in a vault at a rep­utable Inter­net bank they can be very secure. On the other hand, if you keep your Bit­coin wal­let unpro­tected, it’s pos­si­ble that some­one steals it from you or that you lose it. This is very sim­i­lar to phys­i­cal cash. The biggest risk right now is that Bit­coin is still very new and peo­ple are just start­ing to learn how to securely use and store them.”

  • Why couldn’t another copy­cat come out and make Bit­coin obsolete?

Bit­coin ben­e­fits from some­thing called a net­work effect. Since a lot of peo­ple already use Bit­coin, it’s much more valu­able to join and trade with those exist­ing peo­ple, than to start a new sys­tem and have no one to trade with. Also set­ting up a net­work of Bitcoin’s size is expen­sive: Right now the net­work ensur­ing Bitcoin’s secu­rity has more com­pu­ta­tional power than that of the world’s top 500 super­com­puter projects combined.”

  • Do you think it will encour­age crim­i­nal trans­ac­tions, and make it harder for the gov­ern­ment to trace ille­gal pur­chases (drugs, weapons, etc)?

Bit­coin trans­ac­tions are actu­ally more trace­able than cash trans­ac­tions. There’s a pub­lic ledger where both par­tic­i­pants of every Bit­coin trans­ac­tion and the amounts sent are recorded. Also, Bit­coin is just a pay­ment tech­nol­ogy — all the bits need to be con­verted back into cur­rency at some point, and all the exchanges are required to strictly com­ply with the same Anti-Money-Laundering and Know-Your-Customer reg­u­la­tions that banks and other busi­nesses are sub­ject to.”

  • Why can’t the Bit­coin go down in value?

Bit­coin can cer­tainly go down in value. It’s actu­ally been rather volatile lately. But since Bit­coin is mainly used as a trans­ac­tional medium, the spe­cific exchange rate doesn’t mat­ter to most peo­ple. In the end, you are just send­ing bits across the Inter­net and at the other end you get the amount of Dol­lars or Euros that you intended to send.”

  • Tell us about your mobile app.

So far Bit­coins have been mainly used by pay­ment experts and tech­nol­o­gists, but we’d like to make Bit­coins use­ful not just for peo­ple who care about the cool tech, but the aver­age per­son. Over the next few months we’ll roll out our whole suite of mer­chant and com­merce tools on http://bitcoin.com/ and you’re more than wel­come to sign up so you can be among the first to give it a spin.”

  • Do you fear a crack­down by the Fed­eral Reserve?

Not at all. I think peo­ple are overly wor­ried about such things. When peo­ple first started pay­ing using plas­tic cards, that must have seemed like a crazy idea as well, but after a while peo­ple got used to it. It’s quaint that we still use paper checks while the rest of the world has moved on to dig­i­tal bank­ing, but with Bit­coin we have a chance to leapfrog and truly improve our country’s pay­ment infra­struc­ture, stim­u­late com­merce and cre­ate new jobs.”

BIL Conference: A Casual Convention of People Who Want To Change The World

Whether you have seen the fas­ci­nat­ing and often mind expand­ing videos posted online, or have been lucky enough to go in per­son, you prob­a­bly know about TED.  If you are like me (incred­i­bly inter­ested in tech­nol­ogy but not really will­ing to spend thou­sands of dol­lars to go to a con­fer­ence), check out TED’s cooler-yet-nerdier lit­tle brother BIL on the Queen Mary March 2-4th in Long Beach, CA.

BILder’s (as we like to call them) come from all around the world to share ideas, give talks, per­form live music, teach classes, net­work, brain­storm ways to fix the world…whatever! That’s the beauty of BIL, what it is and what it will become is com­pletely up to the BILders them­selves — theres no con­crete agenda.  It is what you make it.

wyld stallyns1 BIL Conference: A Casual Convention of People Who Want To Change The World

It’s kind of like this

Last year was my first BIL expe­ri­ence, and I can hon­estly say it set the tone for the rest of my year in the most pos­i­tive way pos­si­ble.  I met BIL co-founders Simone Syed and Reichart Von Wolf­sheild when I hosted the after-party for the Los Ange­les pre­miere of Tran­scen­dent Man — Ray Kurzweil’s fea­ture doc­u­men­tary about the Tech­no­log­i­cal Sin­gu­lar­ity. I was demo­ing Ancient Lasers tracks for the sin­gu­lar­ity folks that night and they asked me if I wanted to play at BIL.

Once there I met some of the most fas­ci­nat­ing peo­ple I have ever been graced to know.  I spend alot of time around peo­ple that don’t really share the same inter­ests as me in my daily life, so it was so refresh­ing to hear phrases like “machine learn­ing”, “brain hack­ing”, and “nanobot foglets” being thrown around in casual con­ver­sa­tion. I got to meet Burn­ing Man guru John Hal­cyon, Life exten­sion author Aubrey De Grey, lifestyle blog­ger extra­or­di­naire Judd Weiss, the folks from the Sin­gu­lar­ity Uni­ver­sity…The list goes on.

 BIL Conference: A Casual Convention of People Who Want To Change The World

Aubrey de Grey Speak­ing at BIL 2011

After BIL, we all kept in touch and I per­son­ally know more than a cou­ple new star­tups and other projects that were born from the con­fer­ence and the con­nec­tions it facil­i­tated.  Its incred­i­ble to think about how much has hap­pened since last year and how many new friends I made.

This year Ancient Lasers is per­form­ing with spe­cial guest Max Luga­vere from Cur­rent TV Sat­ur­day, March 3rd at 8pm.  Jimmy Delshad, the mayor of Bev­erly Hills, life exten­sion­ist author Aubrey de Grey, CEO of Vir­gin Galac­tic George White­sides, XCOR co-founder Doug Jones, and many many more.

121 BIL Conference: A Casual Convention of People Who Want To Change The World

BIL 2012

I highly rec­om­mend com­ing to check it out, I promise you wont leave empty-headed.