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EP Review — Ancient Lasers

Ancient Lasers’ sound proves dif­fi­cult to track. Even vocally, it shifts between a mus­cu­lar Ben Gib­bard (lord knows his tweed is strong) and grunts worth of Trent Reznor’s macho swag­ger in the 2000s. Per­haps from these jux­ta­posed ele­ments, Ancient Lasers front­man, Daniel Fin­fer, finds his direction—not iron­i­cally a theme of the album. There’s no clear genre space, although the rock, elec­tronic, hip-hop and pop sen­si­bil­i­ties recall The Postal Ser­vice, 30 Sec­onds to Mars and even M.I.A. for brief moments but it’s not with­out its own, dis­tinc­tive flour­ishes. This, per­haps, is due to the writ­ing of Daniel Ander­son, a sim­i­larly named and tal­ented artist.

Much like Finfer’s pre­vi­ous efforts in Post Human Era, Ancient Lasers is an unabashed pop album—there’s no shame in the word either. This is an album made by peo­ple who enjoy music. Drum­mer Christo­pher New­ton pro­vides some out­stand­ing work on later tracks while multi-instrumentalist, Daniel Ander­son, pro­vides high-quality pro­duc­tion val­ues as well as a myr­iad of per­for­mances through­out. High­lights include instru­men­tal track, “When Are We?” which sounds like Radio­head on ecstasy—and years of therapy.

We might not have our rocket boots or fly DeLoreans—but Ancient Lasers may yet rep­re­sent the clos­est thing to the future’s soundtrack.

 

- David Peters, author

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